LINKAGES
LINKAGES
Reporting
CITD cultivates partnerships with trusted industry and mainstream outlets to ensure that the stories of our partner artists reach the widest possible audience. CITD also supports in-house reporting, including our Substack and Blair Ruble's weekly blog, The Arts of War.
From CITD
tHE ARTS OF WAR:
UKRAINIAN ARTISTS CONFRONT RUSSIA
Now in its 4th year! An ongoing, weekly blog post by Blair A. Ruble highlighting the ways in which Ukrainians are confronting Putin's full-scale invasion through Ukraine's rich artistic culture, past and present. Read more.
By Blair Ruble
NOTES FROM THE FIELD
CITD'S Substack, Notes from the Field, is a publicly-available publication that chronicles our travel and work, sharing what we’re witnessing in theater and culture abroad.
Various Authors
PUBLISHED ARTICLES
Project-Specific Articles
Article Spotlight
2025-06-24
War Pivots and a Pinch of Snuff: Kontakt Highs in Poland
As seen at a recent festival, theatre from Ukraine, Latvia, Germany, and Poland can’t help but be shadowed by war and retrenchment in Eastern Europe, though there is still joy and art to fight for as well.
American Theatre
By David Cote
2025-06-24
War Pivots and a Pinch of Snuff: Kontakt Highs in Poland
As seen at a recent festival, theatre from Ukraine, Latvia, Germany, and Poland can’t help but be shadowed by war and retrenchment in Eastern Europe, though there is still joy and art to fight for as well.
American Theatre
By David Cote
ARCHIVED IN-HOUSE REPORTING
CITD'S Substack, Notes from the Field, is a publicly-available publication that chronicles our travel and work, sharing what we’re witnessing in theater and culture abroad.
Susan, what do you think of having this link to a page that has all our or a select number of our mailings... mailchimp let this sort of built in to its system and i need to investigate it more.... but there are some important mailings that should be documented i think.
IN-HOUSE
CITD'S Substack, Notes from the Field, is a publicly-available publication that chronicles our travel and work, sharing what we’re witnessing in theater and culture abroad.
ARCHIVED IN-HOUSE PUBLICATIONS
Hungarian Letter of news
Produced in collaboration with Színház Magazine, Hungarian Letter of News was a publication that offered a duel focus on both contemporary Hungarian performances and the cultural/political scenes.
Produced in collaboration with Színház Magazine, Hungarian Letter of News was a publication that offered a duel focus on both contemporary Hungarian performances and the cultural/political scenes.
Reporting
CITD cultivates partnerships with trusted industry and mainstream outlets to ensure that the stories of our partner artists reach the widest possible audience. CITD also supports in-house reporting, including:
CITD cultivates partnerships with trusted industry and mainstream outlets to ensure that the stories of our partner artists reach the widest possible audience. CITD also supports in-house reporting, including:
Ongoing, in-house publications:
CITD'S Substack, Notes from the Field, is a publicly-available publication that chronicles our travel and work, sharing what we’re witnessing in theater and culture abroad.
2025-06-24
War Pivots and a Pinch of Snuff: Kontakt Highs in Poland
As seen at a recent festival, theatre from Ukraine, Latvia, Germany, and Poland can’t help but be shadowed by war and retrenchment in Eastern Europe, though there is still joy and art to fight for as well.
American Theatre
By David Cote
2025-06-24
War Pivots and a Pinch of Snuff: Kontakt Highs in Poland
As seen at a recent festival, theatre from Ukraine, Latvia, Germany, and Poland can’t help but be shadowed by war and retrenchment in Eastern Europe, though there is still joy and art to fight for as well.
American Theatre
By David Cote
2025-06-24
War Pivots and a Pinch of Snuff: Kontakt Highs in Poland
As seen at a recent festival, theatre from Ukraine, Latvia, Germany, and Poland can’t help but be shadowed by war and retrenchment in Eastern Europe, though there is still joy and art to fight for as well.
American Theatre
By David Cote